Rembrandt’s insolvency: The artist as legal actor
نویسندگان
چکیده
The life of Rembrandt van Rijn (1606-1669) has received considerable attention and, moreover, his fijiling for ‘bankruptcy’ in July 1656 been re-examined. Especially Paul Crenshaw distilled – from a detailed analysis the archival materials picture reluctantly fulfijilling obligations and transgressing edges what law or custom allowed. This article, by contrast, argues that legal dealings artist did not usually go beyond norms days, was very well aware rules. meticulous entrepreneur, who used framework to its utmost advantage, but without breaching His most controversial act certainly assignment (‘beweysinge’) house son Titus May 1656, weeks before he fijiled ‘cessie goede’ with High Council. at Orphans Chamber is generally considered as conveyance house. However, doctrine, course afffairs Rembrandt’s case, similar assignments available archives, follows must be regarded promise collateral swap, rather than conveyance. Therefore, cannot an intended deflection creditors. same ambivalence apparent application ‘cessie’. When ‘cessie’, knew able retain control there chance sold publicly. In Netherlands, third quarter seventeenth century, morals required debtors pay their debts care about this. But terms, condemnable acts were rare. All this asks appraisal Rembrandt, only entrepreneur economic sense, also actor manoeuvring through law.
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ژورنال
عنوان ژورنال: Oud-Holland
سال: 2021
ISSN: ['1875-0176', '0030-672X']
DOI: https://doi.org/10.1163/18750176-13401002